Maryline Renaud's residency project is part of the era of time through its multidisciplinary and social questioning. On the one hand, she questions the influence of movement on music, through dance or guided improvisation. On the other hand, it offers a sororal questioning in relation to the female body, its perception and its relationship to age.
With a team of musicians and actresses, Marilyne intends to find answers to certain existential questions by making the connection between theater and music through bodily movement, voice and sound. A feminist work in the image of its creator with eclectic influences which pushes the limits of interdisciplinarity.
- Marilyne Renaud
- Multidisciplinary artist
- Composition
- Marie-Pierre Brasset
- Piano
- Mentoring
- Sara Létourneau
- Machinery and electronics
- Guitar
- Voice
- Isabelle Harvey
- Cello
- Mélissa Labbé
- Percussion
Bachelor of Arts from UQAC, Marilyne has participated in several projects as assistant director and production manager (Ogre, Mémoire d'un sablier à La Tortue Noire, Catatonie 2, Pièces montées, at the Théâtre CRI , La Bonne aventure, Planète quel cirque 1 and 2 of the Equestrian Circus Ekasringa, The Opening and Closing Ceremonies of the 52nd final of the Quebec Games in Alma and Les Brigands of the society of lyric art of the Kingdom). She was also a choreographer for this same production as well as for independent productions (Le Sar-cabaret, Beauté Mécanique). She has been part of a large number of professional theatrical productions as an actress and puppeteer: Ogre (Théâtre La Tortue Noire), Une histoire dont le héros est un chameau et le sujet est la vie, Ulysse et Pénélope (Théâtre des Amis de chiffon), Empire, La Marmite, On se casse les noisettes, L'assemblée des femmes, Nono (Théâtre 100 Masques), La Maison coupée en deux and On n'a pas toute la soirée (Jimmy Doucet productions).
